我用夏天比拟你
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华为云
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
……本·巴恩斯,杰夫·布里吉斯,艾丽西亚·维坎德,朱丽安·摩尔,安婕·特拉乌,奥莉维亚·威廉姆斯,约翰·德桑蒂斯,基特·哈灵顿,杰曼·翰苏,杰拉德·普伦科特,李截,坎迪斯·麦克卢尔,卢克·罗德里克,扎夫·帕鲁,蒂莫西·韦伯,莱拉·菲茨杰拉德,马塞尔·布里奇斯,利比·奥斯勒,约翰·诺瓦克,雅罗斯拉夫·波维洛,大卫·库比特,瑞安·罗宾斯,吉姆·谢尔德,Simon,Burnett,泰-霍·乐,坎蒂斯-梅·兰格洛利斯,卡梅尔·阿密特,比利·威克曼,弗雷泽·艾奇逊,朱利安·布莱克·安蒂洛普,肖恩·凯瑞,罗伊德·卡特莱特